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Perception, sensitivity are the biunivores canons that art contains. Education, people qualities, determine the reliable vision or reject that sets the potential of the pictorial work in its composition, plus the dimensions that can be achieved for generations.
International Journal of Mechanical Engineering and Technology (IJMET) Volume 10, Issue 12, December 2019, pp 260-263, Article ID: IJMET_10_12_029 Available online at http://www.iaeme.com/ijmet/issues.asp?JType=IJMET&VType=10&IType=12 ISSN Print: 0976-6340 and ISSN Online: 0976-6359 © IAEME Publication TECHNOLOGY, ART, CIVILIZATIONS AND SIGNIFICANTS Peñaranda Galvis, Vidal Fernando Profesor Titular Facultad del Medio Ambiente y Recursos Naturales Universidad Distrital Francisco José de Caldas Espinosa Romero, Ana Patricia Directora Programa de Ingeniería Ambiental Facultad de Ingeniería Universidad de La Guajira Rodríguez Miranda, Juan Pablo Profesor Titular Facultad del Medio Ambiente y Recursos Naturales Universidad Distrital Francisco José de Caldas ABSTRACT Perception, sensitivity are the biunivores canons that art contains Education, people qualities, determine the reliable vision or reject that sets the potential of the pictorial work in its composition, plus the dimensions that can be achieved for generations Keywords: Art, painting, schools, history, artistic movements Cite this Article: Paranda Galvis, Vidal Fernando, Espinosa Romero, Ana Patricia, Rodríguez Miranda, Juan Pablo, Technology, Art, Civilizations and Significants International Journal of Mechanical Engineering and Technology 10(12), 2019, pp 260-263 http://www.iaeme.com/IJMET/issues.asp?JType=IJMET&VType=10&IType=12 INTRODUCTION The enjoyment and perception of a work of art never ends The centuries explore the incessant flowering in each era and the viewer recognizes in the different creations, according to his taste, the esthetic quality and greatness of the artist and his expression The truths vary as times go by and their plurivalence goes according to each sensitivity and ingenuity, once the explicit conventions and the unspoken symbology of the work are put on the scene DEVELOPING Once the villages were established, only hills and jungle immensity were visible (40 and 20 thousand years B.C., or more, according to vestiges and 14 carbon tests) Today, social organizations, recast in their artificialities, still enjoy artistic inventiveness, in their natural ecosystems, of the covering large areas and sometimes boasting of the feats in their emancipation http://www.iaeme.com/IJMET/index.asp 260 editor@iaeme.com Technology, Art, Civilizations and Significants The everlasting humanity is assaulted by unfinished questions of its creation and origins, so the being feels that in his I and externalities, among his gifts he lacks to complement important significance, such as strengthening art for his culture and development The unlimited creative imagination will allow you to always make or found and shape; it for both in their quality of life obtain, erected their own temples, deifies, plasma, consolidates its unusual imprint, to entrench its civilizing instinct The museums of the world, which compile the past and modern exhaustive investigations, constitute the basis for recording the understanding of cultural development Archeology at the service of discovering vestiges and riches that art holds, does not rest in exposing and understanding the legacy of other times, according to the interest of each expedition: sculptures, engravings, rock art, pictographs, hieroglyphics, frescoes, paintings, recast buildings, temples and their structures, lintels, friezes, steles, and other features Although it seems strange, from the primitive, each tribal group of the late Paleolithic (savagery, barbarism, civilization), in their skills and tasks, from their caverns or settlements in their different classical periods, or early to late, allowed to leave characteristics of their past and the faithful mission of his work, involved in his artistic expression History can confirm that humanity has been unified in transforming natural factors to facilitate their traditional tasks In that differentiator to feel of individualities, surprises and feels proud for all the conquests, but it amazes even more for its artistic and technological capacity, to recreate a world never seen that every day is reborn by its innovations Society can ignore facts, but not repudiate itself for improving its primary needs and educational wellbeing with certain spiritual and external luxuries Mastery of construction and form warn of professional art; imagination and ability to capture their fantasies; observation, interpretation and knowledge enhance the ability to perform activities well Testing understanding, by applying scholarship in the composition between different objects, will determine the convenient proportional unity of the elements Petroglyphs, Motilona Culture Sardinata, N de S Vereda El Carmen (Private archive, F Peñaranda G.) In the experiential reality of the artistic, it is better to be able to control the impulses of uncultured, in the projection of equitable social conditions; ability in the esthetic and http://www.iaeme.com/IJMET/index.asp 2261 editor@iaeme.com Peñaranda Galvis, Vidal Fernando, Espinosa Romero, Ana Patricia, Rodríguez Miranda, Juan Pablo knowledge arts, for the risk of acting and not only imposing one's own will, corrected by values of conscious and intelligent activity, without ignoring the natural origins of that same visible universe that tests you and must hold free art, to prepare or perceive the vivacious exercise of differential judgment between real and symbolic acuity Logic must be the preamble in all artistic works; actions and skills include wisdom, without mediating physical and metaphysical barriers As a duty, we must glimpse the rational art of living, talent with its set of scientific rules for esthetic enjoyment, raising awareness in all its manifestations of being fair and assuming well the existence The heterogeneity of contemporary painting brings together new schools and movements, from successful realism, cubism, to expressionism, just to name three trends, changing over time, according to the artistic authenticity of its creator By sharpening the senses in the fecundity of art, it does not cease to exalt the mood in the observation and influence it awakens for literature; in the significant work "Dead Souls", by NiKolai Gogol, p 97, with its characteristic mordacity of analysis, the central character thinks in front of his host: “We all know since there are many faces in whose sculpture nature has made little effort, in which it has not used delicate tools, such as lime or small auger, but has hacked them in the blink of an eye: ", and ends with extraordinary resemblance," an ax, and there you have the nose; another, and the lips appear ( ), nature throws it into the world saying: "Here is another human being!" But in that paragraph Gogol's diatribe does not end, on pages 97 and 98, the hero Tchitchikof has observed everything from the entrance facades, the walls and the works of art, inside it is expressed, “They were portraits of heroes: Greek generals ( ) possessed calves so massive and mustaches so fierce, that they made me shudder, "and continues," there was, God knows why ( ): a long, thin figure, and underneath some flags and cannons ( ) It followed the portrait of the Greek heroine Bobelina, whose single leg had more substance than the whole body of the petimetres that fill our halls today ” Even the birds in their cages resemble their masters This description is the same art in all its manifestations, which corresponds to the entire perceptual freedom of expression The specific function of art is conditioned by its creator that enriches it, does not exempt it from being recreated by the observer, according to its inference of the various laws of beauty, reveals more esthetic situations of pleasure or cognitive value in powerful and infinite ideological actions, whether objective, artistic and singular, that transcends different arts, call sculpture, music, painting, literature, theater, among others Retaking esthetics concepts, without disregarding the ethical, in "Journey through ethics," Peñaranda, 2012, p 14, says: "The reality is that in opposites of attraction, empathy and gender, the taste, suspicion, social and emotional intelligence are legislated." And complements "High, low, pretty, ugly or fat, they depend on the prototype, the educational training and physical yearnings." Without exclusion of art, in discovering and consolidating the social order and the family cores, apart from what is the natural selection of humanity, between savagery and barbarism, Engels, 1971, p 63, states: ( ) On the thresholds of authentic history we already find flocks everywhere as private property of the heads of family, with the same title as the products of the art of barbarism, metal goods, luxury objects, and finally, human cattle, slaves The explorers, in the silent discovery of their inquiries, make emerge the expressive flourishing of the past, findings of civilizations and deductions of the strange actions of its inhabitants in ancient pre-Christian eras Chronological research adds hypotheses, facts and conclusions, in immense concatenation that allows us to resort to different sources that support or renew the scrutiny http://www.iaeme.com/IJMET/index.asp 2262 editor@iaeme.com Technology, Art, Civilizations and Significants The causes and the course of civilizations captivate, the arts manifest the evolution of the socio-economic structure, the infrastructure of the peoples and their related peculiarities It is fascinating the perennial quest to know, to get out of the daily life of the pleasant and affective area, implies getting upset to improve the active participation of society; In exchange for this dichotomy, the investigation brings benefits to the community, referents of prosperity, valuation of its arrears and / or comfort, the essence of the future is to investigate, view other prodigious sites to focus the experiences and history The portentous past of the planet, is rescued by the ingenuity of the acting groups, in the sense of understanding their cities and their fascinating environment that reveals causes to announce the dimension of past events, through the expertise or perception of practical contingencies, which can overcome the difficulties for the unpredictable modernity that divides the present CONCLUSIONS The current art has few cultists and media representatives, it seems more a sum of anonymous individuals The most sensitive artists are aware of the shortcomings and try to express themselves in search of formulas, as their consumer works mix some classical conventions and where the nuances of bad taste, plus the variation of manids sinuous colors (fresh out of the factory and its containers), give the impact that "corrects" the dimensional stiffness that does not achieve or dominate in perspective The artistic revolutions soon express their nonconformity, awaiting talented exceptions that pay successes to a neo-rebirth REFERENCES [1] Engels, F 1971 El origen de la familia, la propiedad privada y el Estado Editorial Claridad, S A Buenos Aires [2] Gallego, J 1971 Pintura contemporánea Salvat Editores S A [3] Gogol, N 1946 Las almas muertas Editorial Jackson de Ediciones selectas Buenos Aires [4] Peñaranda, F 2012 Viaje por la ética Editorial Universidad Nacional de Colombia http://www.iaeme.com/IJMET/index.asp 2263 editor@iaeme.com .. .Technology, Art, Civilizations and Significants The everlasting humanity is assaulted by unfinished questions of its creation and origins, so the being feels that in his I and externalities,... Technology, Art, Civilizations and Significants The causes and the course of civilizations captivate, the arts manifest the evolution of the socio-economic structure, the infrastructure of the peoples and. .. conditions; ability in the esthetic and http://www.iaeme.com/IJMET/index.asp 2261 editor@iaeme.com Peñaranda Galvis, Vidal Fernando, Espinosa Romero, Ana Patricia, Rodríguez Miranda, Juan Pablo knowledge