The complete guide to digital painting vol 3 part 2

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The complete guide to digital painting vol  3 part 2

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This is the ultimate art package for people wanting to start digital art, or those looking to extend their skills Part 1: http://upload.123doc.vn/document/1091320-the-complete-guide-to-digital-painting-vol-3-part-1.htm

Tutorial Paint like Picasso V¶UWPKXGTUCNN[CEMPQYNGFIGFVJCV 2KECUUQYCUCIGPKWU#EJKNFRTQVoIo YKVJOQTGCTVKUVKECDKNKV[CPFXKUKQP CVCXGT[GCTN[CIGVJCPOCP[CTVKUVU RQUUGUKPCNKHGVKOG#NVJQWIJCUVWPPKPIN[ VCNGPVGF¿IWTCVKXGRCKPVGT2KECUUQUQQP UVCTVGFVQGZRGTKOGPVKPOQTGRTKOKVKXGCPF CDUVTCEVIGPTGUCPFKPVJGGCTN[VJ%GPVWT[ FGXGNQRGFCRCUUKQPHQT%WDKUO#VC¿TUV INCPEGOCP[QH2KECUUQ¶U%WDKUVRCKPVKPIU OC[UGGONKMGCJCRJC\CTFLWODNGQHUJCRGU EQNQWTCPFNKPGU$WVKPTGCNKV[VJG%WDKUV UEJQQNYJKEJYCUGRKVQOKUGFD[VJGNCVGT YQTMD[2KECUUQCPF$TCSWGYCUCEVWCNN[ CFTKXGVQYCTFUTGRTGUGPVKPIVJGVJTGG FKOGPUKQPCNYQTNFKPCVYQFKOGPUKQPCN URCEGFKUTGICTFKPIRGTURGEVKXGCPFTGFWEKPI GXGT[VJKPIRCTVKEWNCTN[RQTVTCKVVQCPGUUGPEG QHXGT[UKORNGIGQOGVTKEUJCRGU Artist Time needed Skill level On the CD Tim Shelbourne 3 hours Intermediate Final image Tutorial info The great Pablo Picasso showed us how to combine a number of different viewpoints and distil complicated forms into simple geometry. We show you how to do the same in Painter 2CDNQ2KECUUQ Pa int like : +V¶UKORQTVCPVVQTGCNKUGVJCVKPGCEJQH 2KECUUQ¶U%WDKUVKPURKTGFRQTVTCKVUJGUJQYU WUVJGUKVVGTHTQOCPWODGTQHFKHHGTGPV XKGYRQKPVUCVQPEG9JKNGYG¶TGCYCTGQH CRTQ¿NGVJGUKVVGT¶UG[GUCTGQHVGPUJQYP HTQOCHWNNHCEGRGTURGEVKXGCNVJQWIJVJG PQUGOC[CICKPDGUGGPKPRTQ¿NG9JCV 2KECUUQYCUFQKPIJGTGYCUEQPEGPVTCVKPIVJG XKGYGT¶UCVVGPVKQPQPVJGOQUVTGEQIPKUCDNG CPFGUUGPVKCNRCTVUQHVJGHCEGEQPEGPVTCVKPI QPGCEJHCEKCNHGCVWTG¶UEJCTCEVGTKUVKEHQTO CPFUJCRGFKUVKNNGFKPVQUKORNGIGQOGVT[ 1HEQWTUGVGZVWTGCPFEQNQWTCTGGSWCNN[ KORQTVCPVJGTGCPFVJGIGQOGVT[QHVJG UJCRGUECPDGTGKPHQTEGFD[WUKPIEQPVTCUVKPI VGZVWTGUCPFEQNQWTU#UCTGUWNVQHVJKU +ORCUVQRNC[GFCXGT[KORQTVCPVTQNGJGTG %QTGN2CKPVGT:KUVJGKFGCNVQQNVQTGETGCVG VJKUTGOCTMCDNGUEJQQNQHRCKPVKPIIKXKPI WUCNNVJGVQQNUTGSWKTGFVQRC[JQOCIGVQ VJGITGCVOCPJKOUGNHCPFCRRN[%WDKUV VGEJPKSWGUQWTUGNXGU “Corel Painter X is the ideal tool to re-create this remarkable school of painting, giving us all the tools required to pay homage to the great man himself Simple shapes +V¶UXKVCNVQVJKPMKPVGTOUQHUKORNGIGQOGVTKEUJCRGU VJTQWIJQWVVJKURTQLGEVTCVJGTVJCPIGVVKPIDQIIGF FQYPKPFGVCKNU#PG[GDGEQOGUCUKORNGCNOQPF UJCRGYKVJCEKTENGCVKVUEGPVTGCPFCPQUGECPDG TGRTGUGPVGFD[CUKORNGVTKCPING  Colour and depth 9GFQP¶VJCXGNKIJVCPFUJCFGVQCFFHQTOVQ GNGOGPVUUQ[QWPGGFVQTGN[QPEQNQWTCPF VGZVWTG5KORNGUVTQMGUKPCEQPVTCUVKPIEQNQWT ECPCFFUQNKFKV[VQVJGDCUKEUJCRGUCPF+ORCUVQ KUCITGCVYC[VQCFFVGZVWTG Isolating elements 2NCEGGCEJKPFKXKFWCNEQORQPGPVQPCUGRCTCVGNC[GT $[FQKPIVJKU[QWJCXGVJGQRRQTVWPKV[VQOQXG GCEJEQORQPGPV;QWECPCNUQTGUK\GGCEJQHVJG HGCVWTGUD[WUKPI(TGG6TCPUHQTOEJQQUGVJG.C[GT #FLWUVGTCPFTKIJVENKEMKPIQPVJGNC[GT 158 Digital Painting Tutorial Paint like Picasso 159 Digital Painting Digital Painting The complete guide to Establish the geometric shapes for your painting $WKNFHCEKCNHQTOU 02 A simple triangle#FFCPQVJGTNC[GTHQTVJGPQUG6JGPQUG KUCUKORNGVTKCPINGUJCRGTGOGODGTYG¶TGUJQYKPIVJGPQUG KPRTQ¿NG&QP¶VYQTT[VQQOWEJCDQWVVJGUK\GCPFRQUKVKQPQHVJG PQUGCUYG¶NNDGCFLWUVKPIVJKUKPVJGPGZVHGYUVGRU Tutorial Paint like Picasso 03 Layer Adjuster %JQQUGVJG.C[GT #FLWUVGT$[EJGEMKPI#WVQ5GNGEV .C[GTKPVJG2TQRGTVKGUDCT[QWECPUKORN[ ENKEMFKTGEVN[QPVJGUMGVEJNKPGUVQUGNGEV VJGNC[GTEQPVCKPKPIVJQUGRCTVKEWNCTHCEKCN HGCVWTGU%JQQUGVJG0QUGNC[GT%VTNTKIJV ENKEMCPFEJQQUG(TGG6TCPUHQTO 01 Establish the eye shapes (QT[QWTKPKVKCNFTCYKPIEJQQUG QPGQHVJG%JCTEQCNXCTKCPVUCPFCFFCPGYNC[GT+VOCMGU UGPUGVQUVCTVD[FTCYKPIVJGG[GU6JGUGCTGKPKVKCNN[OCFGWRQHC UKORNGCNOQPFUJCRGYKVJCEKTENGKPVJGOKFFNG The importance of study It’s a good idea before you start this project to take your time to study Picasso’s work. Simply Google search Picasso and Cubism and you’ll find a wealth of images. Take your time to study the shapes in the paintings, and look at the way he flattened out perspective within the head. It’s even worth making a couple of sketches from the paintings to help you understand better the geometric devices he often included again and again. 04 Scale, rotate and skew  ;QWECPPQYFTCIVJG JCPFNGUVQTGUK\GCPF TGRQUKVKQPVJGPQUG &TCIQPCEQTPGTJCPFNG VQTGUK\GKV6QTQVCVG VJGNC[GTEQPVGPVU JQNFFQYPVJG%QPVTQN MG[CPFFTCICEQTPGT JCPFNG;QWECPUMGY VJGPQUGD[JQNFKPI FQYPVJG%QPVTQNMG[ CPFFTCIIKPIQPGQHVJG EGPVTCNJCPFNGU 05 Mix and match 6JGG[GDTQYUCTGVYQXGT[UKORNGUJCRGU CPFCICKPKH[QWFTCYVJGUGQPUGRCTCVGNC[GTU[QWECP RQUKVKQPCPFUK\GVJGOCU[QWNKMG6JKUOGVJQFQHDWKNFKPIWRVJG JGCFCNKVVNGNKMGETGCVKPIC2JQVQ(KVKOCIGYKNNIKXG[QWNQVUQH ETGCVKXGHTGGFQOCPFEQORQUKVKQPCNQRVKQPU 06 Add more elements #ICKPVJGOQWVJKUCEQORQPGPV VJCVKUIGPGTCNN[XKGYGFUVTCKIJVQPKP2KECUUQRQTVTCKVU 6JGUGUJCRGUCTGXGT[UV[NK\GFCPFUKORNK¿GFUQFQP¶VYQTT [CDQWVKV NQQMKPIVQQµTGCN¶#VVJKUUVCIG[QWECPCNUQFTCYKPCRTQ¿NGQWVNKPGQH VJGEJKPNKRUCPFEJGGMUVQCFFVQVJGOWNVKXKGYRQKPVGHHGEV Fun with Picasso If you feel like a little Cubist fun before you get down to the real business of painting, point your browser to www.mrpicassohead. com/create.html. This is a Picasso based, pick-and-mix style Cubist exercise where you can make a face up from common components used in the great man’s portraits. You can choose each component, scale and position them, and choose various fills. Cubism doesn’t have to be serious! 160 Digital Painting 07 More simple shapes %CTT[QP UMGVEJKPIWRHTQOVJGEJKPVQETGCVG VJGGZCIIGTCVGFLCYNKPG6JGGCTKUETGCVGF YKVJLWUVCEQWRNGQHUKORNGUJCRGUCEWTXGF UGEVKQPQPVQRCPFCUOCNNUSWCTGDGNQY 08 Shapes in harmony &QP¶VHCNNKPVQVJGVTCRQHVT[KPIVQ FTCYCTGCNHCEG#NVJQWIJKVOC[HGGNYTQPICPF[QWTDTCKP OKIJVWTIG[QWVQFTCYECTGHWNN[EQPEGPVTCVGQPETGCVKPIRNGCUKPI UJCRGU%QPEGPVTCVGQPVJGUJCRGUETGCVKPICEQORQUKVKQPQHVJGKT QYPCPFFGUETKDKPIVJGGUUGPEGQHCHCEG 09 Simple blocks#FFCPQVJGT NKPGHQTV JGQVJGTUKFGQHV JGHCEG 6CMG[QWTVKOGPQYVQETGCVGVJGJCKTCTGCU D[FTCYKPIDNQEMU6CMGUQOGVKOGVQWUG VJG.C[GT#FLWUVGTCPFVJGVTCPUHQTOCVKQP OGVJQFUFGVCKNGFDGHQTGVQRWVVJGGPVKTG JGCFVQIGVJGT Tutorial Paint like Picasso Final touches, then it’s time to paint (TQOUMGVEJVQCTV 10 A little shading #VVJKUUVCIGKV¶UC IQQFKFGCVQCFF CNKVVNGUJCFKPI VQVJGKPFKXKFWCN EQORQPGPVUCUKV YKNNIKXGVJGOUQOG HQTOCPFJGNRYKVJ CRRN[KPIVJGEQNQWT #VVJGOQOGPVVJG JCKTKUCFFGFLWUV CUUKORNGUJCRGU YJKEJYG¶NNCFF VQNCVGT 11 Collapse layers 9JGP[QW¶TGJCRR[YKVJVJGKPKVKCNFTCYKPI CPFVJGEQORQUKVKQP5JKHVENKEMCNNQHVJGUMGVEJGFNC[GTUCPF IQVQ.C[GTU %QNNCRUGUQVJCV[QW¶TGNGHVYKVJQPGUKPINGNC[GT0QY ENKEMVJG%CPXCUNC[GTCPFCFFCPGYNC[GT%OF%VTN5JKHV0 Multiple perspectives Paul Cezanne explains that, “Everything in nature takes its form from the sphere, the cone and the cylinder”. This was something that Picasso was very conscious of during his Cubist experiments. The vital point to remember when dealing with Cubist imagery is the use of many different points of perspective that are used in the depiction of a single object or scene. You may find it useful to take photographs of your subject from many different angles, and then take parts from each image to draw from. Your mind will try to introduce some perspective as you draw, so it’s easier to start with very basic shapes. It’s all about distillation; reducing complicated components to their very simplest geometric forms. Simple geometric shapes Eye from front view Eye in profi le Right profi le nose view Jaw line and chin from profi le Digital Painting The complete guide to 161 Digital Painting %TGCVGFGRVJCPFUQNKFKV[ 16 Establish the base%QPVKPWGVQCFFVJGDCUGEQNQWTUVQVJG TGUVQHVJGRCKPVKPI+V¶UCIQQFKFGCVQEJQQUGCUNKIJVN[NKIJVGT QTFCTMGTVQPGQHVJGEQNQWT[QW¶TGWUKPIGXGT[PQYCPFVJGPCPFWUG FKTGEVKQPCNUVTQMGUVJCVHQNNQYVJGEQORQPGPVUJCRGU Tutorial Paint like Picasso Paint matters Unusually for a tutorial in Painter, you’ll notice that we haven’t mentioned much about specific brushes or painting techniques. That’s because in terms of Cubism, the way the paint is applied is fairly unimportant. Although Impasto plays a big role here, we don’t need to concentrate on blending colour and careful tone modelling. Add colour and build solidity in your painting 13 Reinforce line work %JQQUGCXGT[FCTMEQNQWTCPFUVCT V VQTGKPHQTEGVJGNKPGFTCYKPIYKVJRCKPV+V¶UEQOOQPQH 2KECUUQ¶UYQTMVJCVVJGUGNKPGUCTGSWKVGHTGGN[RCKPVGFUQFQP¶VOCMG VJGOVQQRGTHGEV7UGVJKEMGTNKPGUHQTVJGOQTGKORQTVCPVHGCVWTGU 14 Straight line mode %JQQUGVJG5VTCKIJV5VTQMGUDWVVQP%NKEMYKVJVJGDTWUJYJGTG [QWYCPVVJGNKPGVQDGIKPCPFVJGPENKEMCVKVUGPF*KV8QPVJGMG[DQCTFDGHQTG RCKPVKPIKPVJGPGZVUGRCTCVGUVTQMG8CT[VJGYKFVJQHVJGDTWUJVQCFFXKVCNKV[ 15 Block in the main colours 1PEGCNN VJGNKPGYQTMKU EQORNGVGJKVVJG %CPXCUNC[GTCPF CFFCPGYNC[GT %OF%VTN5JKHV0 7UGVJGUCOGDTWUJ YKVJCDTKIJV[GNNQY VQDNQEMKPVJGJGCF 7UGVJGDTWUJCV SWKVGCNCTIGUK\G HQNNQYKPIVJGQXGTCNN EQPVQWTUQHVJG UJCRGU$GECWUGVJG DTWUJRCKPVUYKVJ +ORCUVQVJKUYKNN DWKNFWRUQOG PKEGVGZVWTGU Individual voice Creating unique artwork The bedrock that the Cubist movement was built upon was that, regardless of subject, the painting should work in its own right as a piece of art. This depended very much on pattern, shape and colour, which is why the actual surface plane of a Cubist portrait plays such a vital role in its success. It can be difficult for a figurative artist to see in such abstract terms, but that’s exactly what Picasso was doing here. First and foremost, the shapes and colours in this portrait should please and interest the viewer’s eye. As a result of this, every now and then it’s worth flipping your painting by 180 degrees so you’re not distracted by your eye creating a conventional portrait from the shapes. Picasso was searching during these years for a release from the accepted ways of expressing the world around him. Here are the shapes from a famous Picasso portrait, showing the decorative quality of the pure geometry. 12 New layer and brush 9G¶NNDGCFFKPIVJGEQNQWTVQVJKU NC[GT5QVJCVVJGFTCYKPITGOCKPUXKUKDNGVJTQWIJQWVVJG RTQEGUUYG¶NNDGRCKPVKPIOQUVN[YKVJCUKPINGDTWUJ%JQQUGVJG #TVKUVU1KNUCPFUGNGEVVJG)TCKP[+ORCUVQXCTKCPV6JG+ORCUVQ RTQRGTVKGUQHVJKUDTWUJYKNNJGNRVQETGCVGVGZVWTG Get used to rotating your artwork so you can see it as shapes, rather than a face. Any realism will ruin your Cubist quest! 162 Digital Painting 17 Model with colour #FFUQOGOQFGNNKPIVQVJGHQTOU#FF CPGYNC[GTEJQQUGCNKIJVRGCEJEQNQWTHQTVJGHQTGITQWPF CPFCNKIJVCSWCDNWGHQTVJGDCEMITQWPF#FFUQOGNKPGCTUVTQMGUVQ VJGUJCRGUYKVJKPVJGHCEGVQDWKNFWRVJGOQFGNNKPI±UYCRDGVYGGP HQTGITQWPFCPFDCEMITQWPFEQNQWTCPFWUGCJKIJ$NGPFXCNWG 18 Faces and planes6JGUGUVTQMGUUVKNNPGGFVQDGSWKVG TQWIJVQ¿VYKVJVJG2KECUUQUV[NG5RQPVCPGQWUIGUVWTCN UVTQMGUYQTMDGUVJGTG7UGVJGUGUVTQMGUVQFGUETKDGVJGRNCPGUQHVJG EQORQPGPVUJCRGU6JKUKURCTVKEWNCTN[KORQTVCPVCTQWPFVJGG[GU CPFPQUG 19 Contrast colours 9JCVYG¶TG NQQMKPIHQTJGTGKU KPVGTGUVKPIUJCRGU EQNQWTCPFRCKPV VGZVWTGU±EGTVCKPN[ PQVCµIQQFRQTVTCKV¶ ±UQKV¶UXKVCNVQ EQPEGPVTCVGQPVJG CDUVTCEVCURGEVU 9G¶XGOCFGVJG JCKTWRHTQOXGT[ UV[NK\GFDNQEMU DWVD[CFFKPI TQWIJUETKDDNGUQH EQPVTCUVKPIEQNQWT JGTG[QWECPCFF UWTHCEGKPVGTGUVCPF CPCFFGFFKOGPUKQP VQVJGUJCRGU 22 Adjust colours $GECWUGYG¶XGDGGPRCKPVKPIQPUGRCTCVG NC[GTUQPEGV JGRCKPVKPIKUCNOQUVEQORNGVG[QWECPCNYC[U CFLWUVVJGEQNQWTU5KORN[VCTIGVCNC[GTCPFIQVQ'HHGEVU 6QPCN %QPVTQN #FLWUV%QNQWTU&TCIQPVJG*WG5JKHVUNKFGT#FLWUVVJG XKDTCPE[QHVJGEQNQWTYKVJVJG5CVWTCVKQPUNKFGT Tutorial Paint like Picasso 21 Linear details&QP¶VDGCHTCKF VQCEVWCNN[QWVNKPGCTGCUKPDTKIJV EQNQWTU7UGVJGDTWUJCVCUOCNNUK\GCPF ÀQYKPIUVTQMGUVQCFFNKPGCTFGVCKNU#NNQH VJGUGUSWKIINGUCPFUJCRGUCTGCDUVTCEVDWV YKNNCFFVQVJGQXGTCNNUWTHCEGKPVGTGUV On the surface Take your time to experiment by using different surfaces to paint on for this project. By carefully selecting a different paper from the Papers Selector, you can make the surface of the paint look very different and introduce lots of nice textures. The Grain value for the brush itself plays a big role here too, so experiment with different settings as you work. Put the finishing touches to your Picasso painting 6JGHKPGTFGVCKNU 23 Finishing touches6CMG[QWT VKOGVQVKF[WRCHGYCTGCU6JKUKU GURGEKCNN[KORQTVCPVHQTVJGNKPGYQTM+V¶U YQTVJWUKPIVJGDTWUJCVSWKVGCUOCNNUK\G KPDNCEMVQTG¿PGUQOGQHVJGNKPGCTCEEGPVU CTQWPFVJGG[GU9JGP[QW¶TGJCRR[YKVJVJG TGUWNVÀCVVGPVJGKOCIGXKC.C[GTU &TQR#NN 20 Bold accents %NKEMQPVJGVQRNC[GTCPFCFFCPGYNC[GT 2KECUUQQHVGPWUGFTGCNN[DQNFEQPVTCUVKPIEQNQWTUSWKVG URCTKPIN[VQCEEGPVKORQTVCPVHGCVWTGUCPFUJCRGU$[JKIJNKIJVKPI VJGNKPGQHVJGUV[NK\GFPQUGCPFNKPM KPIKVVQVJGDTQYNKPGYKVJDTKIJV DNWGVJGXKGYGT¶UG[GECPDGVCMGPQPCPQVJGTLQWTPG[ Digital Painting The complete guide to 163 Digital Painting Tutorial Paint like Monet VVJGOGPVKQPQHVJGYQTF µ+ORTGUUKQPKUV¶VJGOCLQTKV[QH RGQRNGYKNNRTQDCDN[VJKPMQH%NCWFG /QPGVJKURCKPVKPIUQHJKUICTFGP CV)KXGTP[CPFQHYCVGTNKNKGU/QPGVJKOUGNHKU YKFGN[TGICTFGFCUVJGHCVJGTQH+ORTGUUKQPKUO +PFGGFVJGTQQVUQHVJGVGTOµ+ORTGUUKQPKUO¶KVUGNH CTGEQOOQPN[EQPUKFGTGFVQNKGKPCITQWR QH/QPGV¶UQYPRCKPVKPIUHTQOYJKEJJG ECNNGFµ+ORTGUUKQPU¶ /QPGVYCUHCUEKPCVGFYKVJNKIJVCPFKV YCUNKIJVVJCVYCUJKURTKOCT[EQPEGTPKPJKU OQUVHCOQWURCKPVKPIU'XGPVJQWIJJKUGCTNKGT YQTMYCUSWKVGCNQVOQTGFGVCKNGFCPFRCKPVGFKP COQTGVTCFKVKQPCNUV[NGVJCPJKUNCVGTCTEJGV[RCN +ORTGUUKQPKUVRKGEGUJKUHCUEKPCVKQPYKVJ EQPXG[KPIVJGRNC[QHNKIJVQPVJGNCPFUECRGKU UVKNNGXKFGPV /QPGVJKOUGNHTGLGEVGFOCP[QHVJGVTCFKVKQPCN EQPEGRVUCPFVGEJPKSWGUQHENCUUKECNRCKPVKPI KPENWFKPIGCTVJEQNQWTU+PNCVGT[GCTUJG GXGPDCPPGFDNCEMHTQOJKURCNGVVGKPUVGCF RCKPVKPIYKVJCXGT[NKOKVGFRCNGVVGQHDTKIJV XKDTCPVCPFCNOQUVRTKOCT[EQNQWTU/QPGV KPUKUVGFQPRCKPVKPIHTQOPCVWTGQWVKPVJGQRGP UQJGEQWNFQDUGTXG¿TUVJCPFVJGUJKHVKPIRCVVGTPU QHNKIJVCPFYQWNFQHVGPYQTMQPVYQQTVJTGG XGTUKQPUQHVJGUCOGUEGPGVJTQWIJQWVVJGFC[CU VJGNKIJVEJCPIGF 6QEQPXG[NKIJVKPJKUYQTM/QPGVWUGFC DTQMGPEQNQWTVGEJPKSWGYJGTGUJQTVEJQRR[ UVTQMGUQHEQNQWTUYQWNFDGRNCEGFPGZVVQGCEJ QVJGTVQIKXGVJG¿PKUJGFRCKPVKPIVJGHGGNQH VJGFCPEKPINKIJVJGUCYDGHQTGJKO;QW¶NN¿PF KPHQTOCVKQPDGNQYFGUETKDKPIVJGDTQMGPEQNQWT CRRTQCEJKPOQTGFGVCKN /QPGV¶UQDUGUUKQPYKVJVJGEJCPIKPINKIJV QPVJGNCPFUECRGOGCPVVJCVNCVGTKPJKUECTGGT JGCEVWCNN[RCKPVGFJWPFTGFUQHXGTUKQPUQHVJG UCOGUEGPGPCOGN[VJGNKN[RQPFKPJKUICTFGPCV )KXGTP[KP(TCPEGCPFYG¶TGWUKPIVJCVUGTKGUQH RCKPVKPIUCUQWTKPURKTCVKQPHQTVJKURTQLGEV +PVJKUYCNMVJTQWIJYG¶NNUJQY[QW JQYVQWUGXCTKQWUDTWUJGUCPFEQPVTQNUKP 2CKPVGTVQTGETGCVG/QPGV¶UUV[NGCPFUKOWNCVG JKUDTQMGPEQNQWTGHHGEVVQIGVJGTYKVJVJG URQPVCPGQWUEJQRR[DTWUJYQTMVJCVV[RK¿GUJKU 9CVGT.KNKGUUGTKGU Monet is the undisputed father of Impressionism. We pay homage to the great man and the legacy of his famous series of Impressionist water lily studies /QPGV Pa int like : The magic of light /QPGV¶UCKOYCUPQVVQRCKPVVJGNCPFUECRG CTQWPFJKODWVTCVJGTVQRCKPVVJGNKIJV VJCVHGNNQPKV9KVJVJKUKPOKPFKV¶UYQTVJ VCMKPI[QWTVKOGYKVJ[QWTKPKVKCNUMGVEJ VQRNCPQWVVJGFKUVTKDWVKQPQHNKIJVCPF UJCFGDGHQTG[QWCEVWCNN[UVCTVRCKPVKPI+P VJKUUV[NGQHRCKPVKPIKPFKXKFWCNGNGOGPVU YKVJKPVJGUEGPGCTGUGRCTCVGFD[VQPCN EQPVTCUVUTCVJGTVJCPFGNKPGCVKPINKPGU Broken colour /QPGVFKFXGT[NKVVNGEQNQWTOKZKPIQPVJGRCNGVVGRTGHGTTKPI KPUVGCFVQWUGFCDUQHEQORNGOGPVCT[EQNQWTRNCEGFENQUGVQ QPGCPQVJGTUQVJCVVJGUGEQNQWTUOKZGFQRVKECNN[QPVJGCEVWCN RCKPVKPIUWTHCEG1HVGPJGYQWNFCNUQCEVWCNN[OKZEQNQWTQPVJG ECPXCUYKVJVJGDTWUJ6JGCKOJGTGYCUVQOCKPVCKPVJGRWTKV[QH VJGEQNQWTUJGWUGFCPFIKXGVJG¿PCNRCKPVKPICURCTMNGQHNKIJV The dancing brush /QPGVYQTMGFTCRKFN[CPFVJKUVQIGVJGT YKVJCFGUKTGVQFGRKEVNKIJVCVKVURWTGUV ICXGTKUGVQJKUWPKSWGWUGQHVJGDTWUJ 8KGYGFENQUGWR/QPGV¶URCKPVKPIUCTG OCFGWRQHEQWPVNGUUTCRKFFCDUCPFFGHV IGUVWTCNUVTQMGUQHEQNQWT9KVJVJKUKP OKPFKP2CKPVGTYQTMYKVJUOCNNDTWUJGU CPFWUGVJGOTCRKFN[4GUKUVVJGVGORVCVKQP VQµFTCY¶VQQOWEJ 164 Digital Painting Tutorial Paint like Monet Artist Time needed Skill level On the CD Tim Shelbourne 4 hours Intermediate Start file Tutorial info 165 Digital Painting Digital Painting The complete guide to First create a sketch to guide you, then begin to establish the overall tonal values and underpainting 'UVCDNKUJVJGVQPCNUEJGOG Tutorial Paint like Monet 01 Canvas and outline %TGCVG[QWTECPXCUXKC(KNG 0GY EJQQUKPICXGT[RCNG[GNNQYHQTVJGRCRGTEQNQWT#FFCPGY NC[GTHQTVJGUMGVEJ%JQQUGCXGT[FCTMDNWGDNCEMHTQOVJGEQNQWT YJGGNCPFEJQQUG6JKEM*CPFOCFG2CRGTHTQOVJG2CRGTURCNGVVG 0QYWUGQPGQHVJG%JCTEQCNXCTKCPVUVQUMGVEJQWVVJGOCKPGNGOGPVU KPVJGUEGPG(QTVJGOQOGPVLWUVQWVNKPGVJGUGTQWIJN[HQTRNCEGOGPV 02 Mapping the tones 0QY[QWECPUVCTV VQCFFUJCFKPI VQKPFKECVGVJG NKIJVCPFUJCFGKP VJGUEGPG6CMG [QWTVKOGJGTG TGHGTTKPIVQVJG ¿PKUJGFRCKPVKPI HQTIWKFCPEG +V¶UKORQTVCPVVQ TGOGODGTVJCV [QW¶TGPQVETGCVKPI C¿PKUJGFFTCYKPI LWUVCVQPCNOCRVQ RCKPVQPVQRQH 06 Establishing the lily pads#FF CPQVJGTNC[GT0QYTGFWEGVJGUK\G QHVJGDTWUJCPFUVCTVVQTQWIJN[RCKPVKPVJG OCKPUJCRGUHQTVJGNKN[RCFU7UGOKFVQPGF DNWGITGGPUCPFCSWCUJGTGCPFOCMG UWTGVQWUGSWKVGUJQTVIGUVWTCNUVTQMGUVQ FGUETKDGVJGQXGTCNNUJCRGQHGCEJNKN[RCF &QP¶VDGIKPVQCFFFGVCKNJGTG±YG¶TGLWUV KPFKECVKPIVJGRNCEGOGPVQHVJGUGGNGOGPVU CVVJGOQOGPV 07 Tonal variations 6JGDCUGEQNQWTQH VJGNKN[RCFUKPVJG FKUVCPEGPGGFUVQDG NKIJVGTVJCPVJQUG KPVJGHQTGITQWPF CPF[QW¶NNPGGFVQ TGFWEG[QWTDTWUJ UK\GCEEQTFKPIN[ 7UGCJKIJ)TCKP CPF$NGGFUGVVKPI HQTVJGDTWUJUQVJCV VJGEQNQWTCRRNKGU PKEGCPFUOQQVJN[ CPFEQPVKPWGVQWUG UJQTVUVTQMGU 04 Underpainting #FFCPGYNC[GT CPFUGVVJGDNGPFOQFGVQ/WNVKRN[ VJG.C[GT1RCEKV[VQ%JQQUGVJG1KN 2CUVGNUECVGIQT[CPFUGNGEVVJG5QHV1KN2CUVGN XCT KCPV5GVVJG1RCEKV[HQTVJGDTWUJVQ 0QYWUGVJGDTWUJCVCTQWPFRKZGNUVQ UVCTVRCKPVKPIKPFCTMRGVTQNDNWGUCPFFCTM ITGGPUVQGUVCDNKUJVJGWPFGTRCKPVKPICPF IGPGTCNVQPGU 05 Base colours %JQQUGCOKFVQPG [GNNQYITGGPHQTVJGNKIJVGUVCTGCU QHVJGVTGGU6JKUUVCIGQHVJGRCKPVKPI TGCNN[PGGFP¶VDGCEEWTCVGCVCNN±YG¶TGLWUV GUVCDNKUJKPICPQXGTCNNVQPCNDCUGJGTGCPF MKNNKPIVJGYJKVGECPXCU6QCFFUQOGXCTKGV[ VQVJGEQNQWTUKPVJGUJCFQYUTGFWEGVJGUK\G QHVJGDTWUJCNKVVNGCPFCFFCHGYVQWEJGUQH XGT[YCTOTGFDTQYPUJGTGCPFVJGTG 03 Supplied sketch +H[QW¶TGPQV EQP¿FGPVQH[QWTUMGVEJKPICDKNKVKGU QTYCPVVQIGVUVTCKIJVKPVQRCKPVKPI[QWECP CNYC[UWUGVJGUWRRNKGFUMGVEJ5KORN[QRGP KVHTQOVJGFKUECPFEQR[CPFRCUVGKVQPVQC UGRCTCVGNC[GTCDQXG[QWTECPXCUUGVVKPIKVU %QORQUKVGOQFGVQ/WNVKRN[ Monet’s colours You may like to mix the colours you use from Monet’s own palette of colours. These are available in a Painter colour set. Hit the small arrow at the top right of the Color Set’s palette. Choose Open Color Set. From the available colour sets choose Artists’ Oil Colors. Click the small arrow again and choose Display Name. Here is Monet’s palette: Titanium White, Cadmium Yellow Light, Cadmium Yellow, Viridian Green, Emerald Green, French Ultramarine, Cobalt Blue, Alizarin Crimson and Vermillion. Mixing colours To mix colours from the Monet palette, in the Mixer palette choose the Apply Color brush. Now click the appropriate colour from the colour set and brush a little onto the Mixer Pad. Mix in your next colour in the same way. To mix two colours placed closely together, use the Mix Color tool in the Mixer palette. To choose a colour to paint with from your mixed colours, use the Sample Color Eyedropper from the Mixer. 166 Digital Painting Tutorial Paint like Monet 11 Brush setup %NKEM QPVJGVQRNC[GTKP VJGUVCEMCPFCFF CPGYNC[GT0QY YG¶NNUVCTVVQCFF UQOGFGVCKNVQVJG VTGGUDWV¿TUV[QW PGGFVQUGVWRVJG DTWUJRTQRGTN[5GV VJG)TCKPVQCTQWPF $NGGFVQ CPF,KVVGTVQCTQWPF +PVJG%QNQT 8CTKCDKNKV[RCNGVVG UGV*VQCTQWPF CPF8VQ CTQWPF 13 Adding form 4GIWNCTN[EJQQUG QVJGTNKIJVITGGPU[GNNQYCPFIQNFU HTQOVJGEQNQWTYJGGNCU[QWYQTM[QWTYC[ CNQPIVJGVTGGUOCMKPIUWTGVQNGCXGUQOGQH VJGFCTMGTEQNQWTUHTQOVJGWPFGTRCKPVKPI NC[GTUJQYKPIVJTQWIJKPVJGUJCFQYCTGCU +V¶UKORQTVCPVVQUWIIGUVHQTOKPVJGVTGGU UWEJCUVJGNQPIYGGRKPIHQNKCIGQHVJG YKNNQYQPVJGNGHV 08 Colour variability 4GVWTPVQVJG WPFGTRCKPVKPI NC[GTCPFCFF CPGYNC[GT+P %QNQT8CTKCDKNKV[ 9KPFQY $TWUJ %QPVTQNU 5JQY %QNQT8CTKCDKNKV[ UGVVJG*XCNWGVQ CTQWPF 0QYWUKPIVJG DTWUJCVCTQWPF 1RCEKV[UVCTV VQCFFXGTVKECN UVTQMGUQHXGT[FCTM DNWGDNCEMVQVJG YCVGTWPFGTPGCVJ VJGNKN[RCFU 09 Broken colour *GTG¶UYJGTG [QWECPTGCNN[UVCTVVQUKOWNCVG /QPGV¶UµDTQMGPEQNQWT¶VGEJPKSWG6JG EQNQWTXCTKCDKNKV[HCEVQTQHVJGDTWUJYKNN JGNRYKVJVJKUDWV[QWCNUQPGGFVQTGIWNCTN[ EJQQUGOQTGFGGRITGGPUCPFOCWXGUHTQO VJGEQNQWTYJGGNVQDWKNFWRVJGGHHGEVQH TGÀGEVGFEQNQWTKPVJGYCVGT¶UUWTHCEG 12 Into the trees 7UKPIVJGDTWUJ CVCUK\GQHCTQWPF RKZGNUEJQQUGC DTKIJV[GNNQYHTQO VJGEQNQWTYJGGN CPFDGIKPVQCFF HQNKCIGVQVJGVTGGU WUKPICXGT[VKIJV PGTXQWUUETKDDNG +V¶UKORQTVCPVVQ MGGRVJGUGOCTMU SWKVGTCPFQO JGTGUWIIGUVKPI VJGHQTOUQHVJG VTGGU;QW¶NNPQVKEG VJCVVJGEQNQWT XCTKCDKNKV[IKXGU[QW VJGDTQMGPEQNQWT GHHGEVJGTG 10 Blending with the brush 1PGQH VJGITGCVCFXCPVCIGUQHVJKUDTWUJKU VJCVKVUEQNQWTUQQPTWPUQWVCPFKH[QWMGGR UETWDDKPIYKVJKVYKVJQWVNKHVKPI[QWTUV[NWU KVYKNNDGIKPVQDNGPFRCKPV+V¶UYQTVJVCMKPI [QWTVKOGJGTGVQDWKNFWRSWKVGCEQORNGZ EQODKPCVKQPQHFKHHGTGPVEQNQWTGFUVTQMGU 7UGVJG¿ PKUJGFKOCIGCUCIWKFGHQTVJKU Gathering colours If you’re not confident about choosing your colours from the colour wheel or mixing them, you can always borrow the colours from Monet himself. Locate one of the water lily paintings on the internet and open it in Painter. Hit the small arrow in the top right of the Color Sets palette and then choose New Color Set From Image. 167 Digital Painting Digital Painting The complete guide to [...]... possible Take several paintings as examples” 05 Skin base 03 The brushes 04 Block in the colours 07 The dress 06 Start the clothing 190 Digital Painting WorldMags.net WorldMags.net The complete guide to Digital Painting Tutorial Always use reference when painting elements In order to paint realistic elements, your best bet is to refer to the websites of the online experts and explore the fashions, costumes... difficulty judging the greyscale values to use within the hands, try converting the reference photos to greyscale first Open one of the hand images and go to Effects>Tonal Control>Adjust Colors Grab the Saturation slider and drag it all the way to the left Now go to Effects>Tonal Control>Bright And Contrast Increase the Contrast slider to separate the individual tones more 14 15 Tone and contour Initial... 186 Digital Painting 17 Sharp as a tack magic 18 Eraser 19 Define the surface WorldMags.net WorldMags.net The complete guide to Digital Painting 21 Simple shading 22 Crosshatching Paint like MC Escher 20 Tracing template Even once you’ve completed the drawing, you can still adjust the greyscale values within it To do this, target one of the drawing layers and go to Effects>Tonal Controls>Equalize To. .. the Wallace Collection (www wallacecollection org), the world’s most complete collection of Rococo art, architecture and interior design Paint like Rococo grass 19 Shape the Tutorial References leaves 22 The last 21 Add more background texture 24 on Corrections the dress more interest on 25 Addthe strings to the flowers 23 Last detail on the shoes WorldMags.net Digital Painting 175 WorldMags.net Tutorial... of the time for accurate period style results Paint like Baroque 01 Drapery 08 Keep on refining 09 All about silk drapery 10 The in the background 02 Period clothes 11 The hair 12 Refine the hair 03 Portraits WorldMags.net Digital Painting 191 WorldMags.net Tutorial Paint like Baroque With the basics done, refine the painting to get into the Baroque look Composite methods To help add depth to your paintings,... your artwork 13 Sunflowers 14 Colour correction 15 Back to the background The sunfl 16vase owers’ glass 17 Back to the face Erase the contours If your painting looks too sharp, you might want to soften the contour of a figure Using a soft-edged eraser, carefully go over the contours so it will look as though the figure and the underlying background are part of the same painting Use this for the hair as... order to make it look more appealing and realistic Hair with hard edges will look rather unnatural 1 92 Digital Painting 18 The skin jewellery 19 Adding and details WorldMags.net WorldMags.net The complete guide to Digital Painting shadows 20 Add cast Tutorial Paint like Baroque 22 Glazing effect 21 The final touches Key Baroque elements Take a look at the most important Baroque elements in a painting. .. edges to break them up a little 168 Digital Painting 19 Sharpening and refining WorldMags.net WorldMags.net The complete guide to Digital Painting 21 Sampling colours 22 Defining darks Paint like Monet 20 Dabs and dashes For this painting to work properly and to reflect the way Monet himself worked, it’s important that you paint from dark to light Although it’s tempting, make sure that you leave the absolute... painting in a given style, you may want to research how the painters used to do it For instance, faces in Baroque paintings are pleasant looking, with stylised and idealised proportions This was done in order to flatter the person to be portrayed Apply the same canons to your painting to get the desired look Pay special attention to the proportions and compare them to the way people are portrayed today... faces Elaborate drapery 188 Digital Painting WorldMags.net WorldMags.net The complete guide to Digital Painting Tutorial info Tutorial Artist May Yeoshen Time needed Five hours Skill level Intermediate Paint like Baroque On the CD Start files WorldMags.net Digital Painting 189 WorldMags.net Tutorial Paint like Baroque Take the sketch and shade in the basic colours 01 The sketch 02 Pick your colours “Use . for giving it a modern touch! 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